From: spabfim-list-bounce@fatbeehive.com on behalf of
bulletin@spabfim.org.uk
Sent: 01 December 2010 11:05
To: list@spabfim.org.uk
Subject: Monthly Email Bulletin - December 2010
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Welcome
to December's Faith
in Maintenance email bulletin. This month our subject is looking after painted timber surfaces. If you have a subject that you would like us to cover in a future bulletin let us know by emailing the team at info@spabfim.org.uk. Things to think about...
For the
majority of medieval buildings oak was the principle timber in use for
structural and decorative features. In most cases the oak was left untreated
as it is naturally resistant to decay although there is evidence that in some
areas oak was routinely limewashed. Though many people now favour regular
treatment with exterior grade linseed or tung oil this is not necessary in
terms of its performance. Left to its own devices oak will weather to an
attractive silvery grey colour and will withstand the elements quite
adequately without a protective surface finish. However
from the late seventeenth century onwards, softwoods (pine, spruce and fir)
began to replace hardwoods such as oak as the most commonly used timber in
building construction. Although slow grown pine with a high resin content can
be a fairly durable material, poor quality softwood from quickly grown trees
can deteriorate extremely rapidly in an external environment. This is why all
softwoods require a coat of paint or some other finish in order to protect
them from decay. You should therefore include the regular recoating of
painted timber surfaces in your ongoing maintenance programme. You should
also inspect all external timberwork, including any doors, windows, fascias
and bargeboards, annually to ensure that the paint surface is in good
condition. If the finish has blistered or cracked then water will be able to
penetrate into the timber where it may become trapped and lead to
decay. Things to do...
When it
comes to choosing a paint system there are a number of options available. If
your building is Grade I or II* listed you are still permitted to use
traditional lead paints, although their use is strictly controlled by the Environmental Protection (Controls
on Injurious Substances) Regulations 1992. The benefits of lead
paint are its unrivalled durability on timber, its flexibility and its
ability to ‘breathe'. Its texture, depth of colour and mellow appearance are
also difficult to emulate with newer alternatives. However, you do need to
think carefully about the safety aspects of working with (and especially
removing) lead paint. A
possible alternative might be to use linseed oil paint. These paints have
been in use for many years and are both durable and aesthetically pleasing.
Most are also solvent free although the disadvantage is that they can take
quite a long time to dry and require some skill to apply successfully.
Another option might be a water-borne acrylic paint. These can be glossy or
matt and do not contain solvents. They also tend to be quick-drying, flexible
and easy to use although they need to be applied to clean wood, which is free
of old failing paint layers, to achieve their best performance. A few
tips about choosing and applying paint:
Further information
‘Paint,
Wood and Weather' by Colin Mitchell-Rose ~ see the Building
Conservation Directory website. ‘Traditional
Paints' by Colin Mitchell-Rose ~ see the Building
Conservation Directory website. Need more help?
If you
have any questions about maintenance or repair issues contact our Technical Helpline for advice and
guidance. This service is normally available on Fridays between 9.30am and 3.30pm
on 0207 456 0916.
Alternatively you can mail your questions to advice@spabfim.org.uk. Copies of the
SPAB's range of Technical Pamphlets and Information Sheets are available to
purchase from our online bookshop. Sara
Crofts Faith
in Maintenance Project Director Stave
off decay by daily care ~ William Morris 1877 |
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